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The power of journalism is not the same like it used to be today in Deaf community. Exploring different frameworks of journalism analysis, and learning tools to recognize these frameworks, greatly enhanced my reading of journalism texts related to The Daily Moth. I was previously aware that The Daily Moth and its host Alex Abenchuchan made an inappropriate joke about Republican presidential candidate, Donald Trump to use Marlee Matlin in his advertisement and mislead the public to make people think that Marlee supports Trump.
Flash news: Marlee had been a stanch supporter of Hillary Clinton before Nyle DiMarco even existed. There was a tweet that Marlee supports Hillary in the beginning of the year. It means….Marlee supports Hillary ever since.
I am also aware that The Daily Moth that the host, consciously, employed its bad journalism in the school of thought, in the public to educate Deaf community and in his journalistic skills. The Daily Moth allowed to make bad judgements in his own values and predispositions and created a self-deception of how The Daily Moth might have employed these things in his own agenda.
I am a daily viewer of The Daily Moth myself, became baffled not only by the vague, rambling journalism styles of how they treat Marlee but also by the exact mocking intended. As each story progressed, the flaws and bad character traits of American society—especially Deaf community became manifest. Almost everyone can remember a bed time story being read to them when they all are humans. Frequently these works of journalism happen to be myth or fairy tale what The Daily Moth did.
We would pick a bed time story because of its many moral lessons and the positive influence the tale can have on our lives. Sometimes the fable uses negative reinforcement and could help to condition Deaf community by what The Daily Moth scares us. The question, did The Daily Moth shows in a passive manner, how to handle issues ranging from love, respect and vanity to discipline, labor and tact?
Every experience impresses strongly upon a maturing intellect, and fairy tales are simple but powerful in the messages. Journalism provokes us to use these stories to teach Deaf community multiple positive lessons about culture and at the same time attempt to develop a humanity in a practical and positive way. These tales are a vital and important tool and are extremely useful in our upbringing. Fairy tales and myths were originally created to reinforce our current culture and highlight the habits and personality of a developing mind.
The Daily Moth lacked a certain continuity that would have allowed the journalism to flow in logical argument that Marlee was a Trump supporter. The mistake that they did was an overdependence upon the journalism honesty or qualities to convey symbolism. The Daily Moth needs to issue a public apology for Marlee Matlin. Will it even happen?
Copyright © 2016 Jason Tozier
This text may be freely copied in its entirely only, including this copyright message.
Joseph Artino, Deaf Artist
In a time of universal deceit, telling the truth is a revolutionary act.—George Orwell
Few years ago, I was reading a book: Animal Farm by George Orwell, a British writer—the story is about the oldest pig on the the farm, his name name was Old Major—had to call out all the animals to a secret meeting and telling them about his dream of a revolution against the cruel Mr. Jones; After Major dies a few days later, his speech gives the more intelligent animals a new outlook on farm life. Pigs and pigeons play major roles in charge of the farm.
Animal Farm is one of the greatest analogies for anyone who is part of AGBell survivors—where we all need to go through rebellion to have AGBell Association for the Deaf and Hard of Hearing to be shut down. Forever. AGBell survivors had been hurt over and over through hatred and bigotry—and what is it that stands between AGBell survivors and them that such a proposition would loose in the mind and body of a person who believed that ASL is not important anymore. The letter by Meredith Sugar was deeply dismayed, concerned, and even frightened, the ongoing and escalating crisis by AGBell survivors could be. It is very important that AGBell survivors is up to par with current events affecting all of us frightfully.
Ever since April 1st letter by Ms. Sugar, in the Deaf community, we have witnessed our democracy in process that met with unnecessary hate crime and bigotry. That was how we would always remember about our experience through AGBell lies; Today we can walk far in the company of intellectual people and stop AGBell’s hatred and intellectual oppression either exalted or scorned.
The reason for the latter attitude is that the term “oppression” has always carried the scent of impropriety of ASL discourses in Deaf community. We all need to share our personal and professional experience in this healing process. We also need to depend on each other to heal. In healthy discourses, we MUST not loose our sight of the value of it—the form of healing that is not only healthy but important vital for the well-being of AGBell survivors and the maintenance of Deaf community today and tomorrow across America and around the world.
It is important to take a look at this way. Wal-Mart has been sued 4,851 times in year 2000 (The picture attached below)—about once every two hours. Wal-Mart has billions of dollars. They have insurance. Even there are people who actually worship Wal-Mart—way powerful than a bible. No, I am not kidding about this part.
There are roughly between 400,000 and a million ASL users in America (most recently I attempted to look at Gallaudet Research Institute [GRI] and saw what Schein and Delk old study back in 1974—400,000 ASL users, but someone informed me that today it might be up to a million ASL users. Again, no hard numbers). —who knows that most of them might be AGBell survivors—imagine if Deaf community take action to sue AGBell—every minute of it for 365 days of living through AGBell lies, hatred, bigotry, language hegemony, the list goes on—how come AGBell Association for the Deaf and Hard of Hearing has not sued or anyone ever done this before? Insurance? Strong sound-oriented country?
We could create a CLASS SUIT and shut down AGBell—not only that but the telephone company, cochlear implant companies, and all that hate groups who are in the same boat as AGBell stakeholders. They do not have much money like the Daily Moth has showed the Deaf community how much AGBell really made—very poor financial management—a weak link.
Imagine sharing your concerns with AGBell, the Deaf survivors like yourself who to listen to you with respect. Imagine how you would feel about yourself if you could call them for guidance, insight, and perspective when you need it. Is this gonna happen? You decide. Wake up! Do we really have this kind of imagination today? AGBell Board of Directors is powerful in the human psyche and its hatred psyche, too. Indeed, at this level of archetype, they have failed to live within our imagination now.
In fact, one of the things I have admired most about AGBell survivors telling their stories, writing letters, and all that is its embrace for change. It teaches us to look to the work we can do on ourselves—repair, maintain, build and grow—so we can better deal with change that is certain to come. Growth may mean that AGBell survivors must be the one who to proactively instigate change that is long overdue.
AGBell Association for the Deaf and Hard of Hearing is now ready to be shut down for greater good and gives us the change and grow. We have memory, we have history that gives us remembrance that AGBell begun hatred and bigotry in 1883—the history is our strength that is deeply rooted in our sense of place. Its lesson is not to be a survivor of change inflicted upon AGBell; We are the ones to instigate the change that is beneficial, the change that holds merit of ASL and Deaf culture today and tomorrow.
Copyright © 2016 Jason Tozier
This text may be freely copied in its entirely only including this copyright message.
After watching The Daily Moth to talk about Spring Awakening: Accessibility for Deaf interview between Jehanne McCullough, an activist, DJ Kurs, Deaf West Artistic Director and Linda Bove, American Sign Language (ASL) Master. McCullough protests the theatrical stance on Sim-Com (simultaneous communication, meaning signing and speaking at the same time) promoting Kurs and Bove to reconvene by interview as viewers occupied their time to watch why it is OK for Kurs and Bove to say that Sim-Com is good for the audience in theatre settings. That is a political marketing right there.
Tom Humphries wrote “Talking Culture, Culture Talking”, we the Deaf often told stories but we don’t know about “hearing” stories. I am not talking about stories we acquired from, say, Shakespeare, da Vinci and the like. I mean stories about when, where and how they discovered the Deaf. In theatre, there are three phenomena: (1) stories, (2) actors/actresses and (3) audience. We had been rehearsing in these triads. Our stories must be accurate; we must act them out; and the audience must appreciate them. Simple. All three phenomena are in ASL—no questions asked. Is the theatre a stronghold of this Sim-Com policy, the language bastardization?
Kurs and Bove does not meet the qualifications, which ranged from failing to vigorously oppose and hold discussions on apparent attempts to organize a “Sim-Com” in theatre. Kurs and Bove does not respect Deaf people’s preference to have ASL only——they are publicly disrespecting and demeaning, and breeding an environment that can cause language hegemony towards Deaf people. They were defensive on that part. Notice that they said the same thing when they said that Sim-Com is not allowed in educational settings, but theatrical sets, yes! They coached each other to make sure they are on the same page.
Charges of Sim-Com dominated statements made by McCullough after the show, I applaud McCullough for bringing it out the truth that it hurts Deaf people in long run to change the theatrical settings to promote healthy and inclusion, and listen to any suggestions the Deaf community would be happy with. There is one of couple things that Bove mentioned that Deaf West is not an ASL-centered theme, but a sign language theatre. That breeds a great deal of language hegemony—does Bove even realize what she was saying like that?
The chilling part is that when Kurs said that hearing people do not understand ASL—therefore, Deaf people cannot understand spoken English to make it even out. What is that supposed to mean? That is not even scholarly answer. Theater is all about knowledge that requires education, it is one of the greatest way to introduce the issue of human rights, and how Deaf people can be human rights champions right in their own communities by using ASL. That can be also incorporated in larger theatrical themes of celebrating diversity, encouraging tolerance, prevent “hearing-dominated” language, bullying, and resolving conflict in constructive ways. Not only that but Kurs and Bove do not realize that Audism is prevalent in theatrical settings they allow to make it happen.
From the show, Spring Awakening, it is huge disappointment that they allow signing and speaking at the same time allows language marginalization—does hearing actors on the theatre settings sounds funny and ungrammatical when following the Sim-Com policy? Think about that. I understood the importance of theatrical settings because of my experience as an actor for Deafhood Monologues. It was a huge wake-up.
DJ Kurs and Linda Bove need to apologize for being insensitive feelings for Deaf citizens. Commit Deaf West to ASL-centered to fulfill their demands. Admit that Sim-Com is a failure to prioritize the education of Deaf people during show.
Finally, acknowledge Sim-Com is built on false myths taken from hearing educators, honors language bastardization, appropriates Deaf culture in some of its art and stories and asserts the legacy of hearing supremacy and its language must be stopped.
Copyright © 2015 Jason Tozier
This text may be freely copied in its entirely only including this copyright message.