My Film In-Depth Analysis: “A Quiet Place”

 

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You see this picture above? The Deaf actress signs to her character father in the film scene, “It does not work!” in reference to cochlear implant.

A Quiet Place was one of the most controversial films of the year in Deaf community. My reflection about this film is a major challenge. The opening scene of cochlear implant first thing exposes the arrogance of modern medicine and the decided failure of our society in heeding health system. The culture of fear continues.

Is it to benefit medicine and battery corporate controlled systems? The root of this aforementioned control is that those profiting from practicing medicine and selling batteries see no money to be made in respecting Deaf culture first thing.

It was powerful enough to create an image to meet the advanced methods of blatant oppression that approaches and questions necessary. It is only the beginning. Is this a sign of cochlear implant war? Is this a sign of third wave of Oralism? It only gets worsened when it comes to “Deafness”. In this film about profiting from cochlear implants, I would like to point out that cochlear implant crisis threatens not only economic collapse among families but also educational inflation beleaguered by costly services.

Hollywood needs to be honest about arrogance of Deaf culture.

Does this film’s approach of cochlear implants to be personal and individual freedom challenge the norms of Deaf community? Does this film of powerful and oppressive forces simply create Audism? The critical examination shows the absence of cultural contribution to the Deaf community and the tradition of literacy canon in this film. This cultural oppression is directly related in Hollywood historical tradition of systematic and institutional Audism proscribing an inferior status to Deaf babies.

Not only did this cultural phenomenon produce a scant offering of works by cochlear implant companies, criticism of Deaf babies that are not implanted in regard to these offerings were indicting and angry, perhaps that Deaf babies should stray too far from their state of happiness in the “pursuit” of healthy journey. Truth be told, however, Hollywood remains a nonstarter for “bonding” purposes.

Carol Padden and Tom Humphries write in one of their book chapters:

We had heard several stories along themes similar to the ones in this folktale, but it was not until we were displaced in a foreign country that we were able to recognize consciously what until then we had only intuitively understood: these stories are myths, tales, parables that carry the set of ideas about what makes it possible to be a Deaf person. By retelling these stories the group can talk about a knowledge it believes to be essential, its lifeblood.” (Deaf in America: Voices from a Culture)

Hollywood was supposed to be the front-line lifeblood of knowledge. We need to look at the central role of the public and private split has played in big issues such as Audism, oppression, and human rights, the need for “cochlear implant” spaces, and the legacies of colonialism. Relationships and Hollywood abound in many ways, cochlear implant industries are able to experience the many forms of big money that emerge to practice the oppression of Deaf babies, through the eyes of Hollywood.

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The pairing of cochlear implant to beloved friend, Hollywood illustrates the perhaps most ill perceived of Deaf babies with pride and prejudice. Both parties desire the film to fulfill familial and societal expectations, establish battery economics, and affix social status connections that Hollywood supplant cochlear implant industries firmly with first-class genteel society.

I was clearly disappointed with the grand opening of the film that hurts the most. Looking back through history of 12 Deaf children who died from cochlear implant surgeries in 1989 and the many painful stories by cochlear implant survivors to this date today and the future, too. This abiding human question about whether cultural oppression strikes at the very soul of Deaf humanity—of how Hollywood view Deaf babies. The stories about how successful cochlear implants are myths and tales.

So much for “these stories are myths, tales, parables that carry the set of ideas about what makes it possible to be a Deaf person

-JT

Copyright © 2018 Jason Tozier

This text may be freely copied in its entirely only, including this copyright message.

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